"Her aim has been to create a garment that protects and reinforces, being at the same time a second skin and a supple armour. Examining the dynamic potential of pleats, she imagines structures which are never fixed, shapes that are always in mutation. She sculpts the emptiness around the body with, as a common thread, the search for balance and points of rupture between the flowing zones and the sculpted zones. The modernisation of smocking and the elimination of any order of construction, allows her great room for experimentation. She models loose shapes with a staggering structure, whilst at the same time remaining within the limits of patterned designs, confessing her attraction for a method of creation which is intuitive, a sensory wandering, and the search for voluntary accidents."
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